Oh, Nathan Fillion, I love you so. Why can the TV not find you an awesome thing for you to be in??? Oh, I forgot. They already did and Fox cancelled it. BOO.
Castle is a show that took a few episodes for me to really get into it. I don't normally watch silly mystery shows (which is a COMPLETE lie, I love Psych and if that's not a silly mystery show, then I don't know what is), that is I don't watch shows with what I like to call "busybody detectives." Mrs Marple is a busybody detective. She's a bored old lady who likes to solve crimes. Kinsey Millhone is a private detective. She gets paid to do what she does, and ultimately, I enjoy those kinds of mysteries more than the ones who do it out of boredom. I think it's because ultimately the busybody detective strains credulity to the point of breaking, and usually it breaks fairly quickly for me. If someone's getting paid, it makes sense them for them to be sneaking around in rose bushes. If they're not, I eventually want them to get a life and stop sneaking around in rose bushes. And of course there's the old joke about Jessica Fletcher (Murder, She Wrote) about how after a while you'd think people would want to avoid her. After all, everywhere she goes, someone ends up dead!
The thing with Castle is that it made sense for a while. Famous millionaire novelist, friends with the mayor, wants to shadow a cop to get information for a new novel. Fine. But once that novel is written? Weird. Okay, he wants to write another novel so somehow they get permission for him to stay on indefinitely. But like I said, credulity is beginning to Strain. Quite strenuously. But as long as everything else was fun to watch, I was still in. Until the season 2 finale.
This is a show that insists on having a "the two leads are so hot they really need to get together but we can't actually do that for whatever reason so we're going to tease it as much as possible and then plotblock* them whenever we can." I don't mind so much if there's just some flirting and teasing and mild jealousy, but when they decide to move further and actually almost get them together, then don't follow through, it's seriously annoying. Hence "plotblock." The season 2 finale had Beckett all set to finally declare her love/lust for Castle and go away with him somewhere, but Oh Noes! He invited his ex-wife instead! So when the show came back, they had to do the obligatory Beckett makes puppydog faces and gets upset that he didn't call all summer or some High School crap. And by the end of the episode a reset button was pushed and now it's business as usual.
Except now that they did that, I'm just annoyed going forth. Now I know they'll do it again, because they can't help themselves. Bones had this same problem and I'm done with it as well. I didn't do an RIP because I was pretty much done a few seasons ago but still kept watching, until about 3/4 of the way through last season. And their season finale was even worse than the Castle finale, so I was done and won't watch again.
So, Castle, you are On Notice. Give me the funny, give me Nathan Fillion in silly outfits and being adorable, and Stana Katic in short dresses and heels, and all will be fine. Until you pull out the plotblock again. And then I'm OUT!
*I stole the term plotblock from someone at the AV Club. It's just so perfect.